最后两集在我心中封神了i might do those but i didnt cause that would be a surprise/ive got a plenty of time but still die with done nothing. 珍贵的果篮小卡片和奔向虚焦的Hannah生活瓦解着继续下去每一个拐角都是当下ps.这部adam和jessa的争吵吊打婚姻生活里的那段了这才是丑陋的对骂
C / 有太多即将滑向过于实感的家庭肥皂剧的时刻却完全被有几分神经质却又仍是克制的表演扭转并牵引出了颇为怪诞的语气(米歇尔·威廉姆斯堪称杰出)影片的吸引力正在于各个段落内语气的复杂演化以及瞬间的强度收束这种张弛运动让俗套到极点的人物朝向影像带来的潜在空间(某种面对其复本的彷徨脆弱与错乱)也阻止了影片滑向过于单纯的迷影怀旧但问题是赘余物仍然太多整体依然太过冗长语气的魔法终归没有战胜肥皂剧的现实感——就像那最后突然获得地平线主动权的摄影机精品国产偷自产在线并没有从那欣欣然的美国梦式背影中幻化或提纯出什么
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3.5. I really wanted to love this but: 1. The visuals are by far the best part of this film, sublime and majestic are the only words to describe it; 2. Too much exposition and oppressive repetition (enough with the premonitions!); 3. I never thought I would say this, but the film is bogged down by the book, both in terms of some of its severely dat